So, why would you need to use OCF? What’s the big deal anyway? There are two different basic scenarios where I find it useful: outdoors & indoors. Let’s tackle indoors first. You know how ugly on camera flash can be? You pop up your flash, fire away, and people have the deer-in-the-headlights look, the darkground is really black and the picture is generally awful? Yeah. This happens because your flash is on the same axis as your camera. Its firing straight at them and washing out any shadows that might give the photo depth. As Syl Arena reiterates over and over in his book The Speedlighter’s Handbook (Best. Book. Ever. Go buy it.) “To create interesting light, you also need to create interesting shadows”. Firing a beam of light straight at a person is going to flatten them out.
When you move your light source onto a different axis from your camera, suddenly you are creating shadows, not removing them. The type of shadow you create depends on where you put your light source (45, 90, 180 degrees) in comparison with your subject. Some shadows are definitely more flattering than others.
The other advantage of using OCF is that you can control the amount of ambient light (natural light – stuff that’s already there) differently than the amount of light from your speedlight. If you are in a really bright room – say there’s a window in the background- when you properly expose your subject that window is going to blow out. Crazy bright, no details, nada. When you introduce a secondary light source, you can dim the ambient light, while using the speedlight to properly light your subject. But, while you are dimming the ambient light, you are not totally getting rid of it (like an on camera flash would do). The result is something like this:
See how I still have detail in the window, but Cara is properly lit as well? Kind of cool, huh? The trick to this is changing your shutter/aperture/flash exposure compensation to balance the ambient light with the speedlight. It really just takes practice. You also have to watch reflections around windows. See my speedlight reflected in the window? Not super great. I tried shooting from different angles, putting my light in different spots, and finally consigned myself that if I didn’t want it, it’d have to come out in photoshop.
love your posts on OCF. curious about your setup for the wedding reception. i am assuming that you use a stand? and then just move it as need be?
So awesome!!
Awesome post, Jess. Rockin’ the flash.
Nice work Jess! 🙂